How the NMAAHC Carves Out a "Space of Resistance" on the National Mall

Subscriber Access

This article, originally titled "The Space of Resistance," was originally published on Lance Hosey's Huffington Post blog. It is part of a four-part series about the Smithsonian National Museum of African American History and Culture.

The city can be a powerful form of political myth, and Washington, DC, is the premier example.

Political myths dramatize historical events for ideological purposes, in order to strengthen the authority of the status quo. For example, America’s Founding Fathers often are portrayed as motivated only by a virtuous desire for universal freedom and equality, a simplistic depiction that ignores the complex socioeconomic forces behind the Revolution. The National Mall, its buildings, and its monuments, are America’s foundation myth writ large in stone and space. Manfredo Tafuri called the image of the District of Columbia “a timeless, indisputable, completely ‘positive’ Olympus” whose creation “presupposed great optimism and was thoroughly opposed to any polemical doubt.”

Content Loader
About this author
Cite: Lance Hosey. "How the NMAAHC Carves Out a "Space of Resistance" on the National Mall" 04 Jan 2017. ArchDaily. Accessed . <https://www.archdaily.com/802861/how-the-nmaahc-carves-out-a-space-of-resistance-on-the-national-mall> ISSN 0719-8884

You've started following your first account!

Did you know?

You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.